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Whitman Across Genres - Symposium 25./26.7.- Dozent/in
- Prof. Dr. Christine Gerhardt
- Angaben
- Sonstige Lehrveranstaltung
Gaststudierendenverzeichnis
Zeit und Ort: Einzeltermin am 25.7.2014 14:30 - 18:00, U7/01.05; Einzeltermin am 26.7.2014 10:00 - 18:00, U7/01.05
- Inhalt
- Bei der Internationalen Walt Whitman Week handelt es sich um die jährliche Summer School der Transatlantik Walt Whitman Association. Nach erfolgreichen Veranstaltungen in Frankreich, Italien, Polen, Brasilien und den USA kommen für die 7. Whitman Week dieses Jahr 30 Studierende und 7 internationale Spezialisten aus aller Welt für ein Seminar zum Werk und Wirken des bedeutenden amerikanischen Dichters in Bamberg zusammen.
“Whitman Across Genres”
The 7th Annual Walt Whitman Symposium
of the Transatlantic Walt Whitman Association
Conference Program
Friday, July 25
2:30– 4:00 p.m. Session I: Whitman’s All-Fusing, Genre-Defying Art
• Thoren Opitz, “By All Necessary Genres: Whitman Writing the ‘Beginning of a Great Career’ in 1856”
• Ondrej Skovajsa, “The Written Voice of Leaves (1855)”
• Reinier van Ramshorst, “Alexis de Tocqueville and Walt Whitman: Between Prophecy and Influence”
4:00 – 4.30 p.m. Coffee Break
4:30– 6:00 p.m. Session II: Neglected Dimensions of Whitman: His Fiction, Journalism, and Marginalia
• Stephanie Blalock, “‘My stories, I believe, have been pretty popular’: The Reprinting of Walt Whitman’s Short Fiction in the U.S. and Abroad”
• Karen Karbenier, “Reconsidering Whitman’s Desk at the Brooklyn Daily Times”
• Matt Cohen, “The Restless Marge: Textual Mobility in Whitman’s Annotations”
Saturday, July 26
10:00– 12:00 Session III: Tracking Whitman Across Cultures
• Ann Kaiser, “Whitman in Catalan and in Catalunya: Architects Cebrià de Montoliu’s Translation of & Critical Work on Walt Whitman’s Leaves of Grass”
• Marta Koronkiewicz &Pawel Kaczmarski, “Reinventing Democracy. Walt Whitman and the Polish Poetry after 1989”
• Patricia Anzini, “Fertilizing Dark Zones: Whitman and Brazilian Fringe Poetry”
• Maria Clara Paro, “‘Democratic Vistas’ and ‘Camerado Whitman’ by Gilbert Freyre: The Construction of Whitman as a Political Poet in Brazil”
12:00 – 1:30 p.m. Lunch Break
1:30 – 3:30 p.m. Session IV: Whitman in Fiction, Music, and Sociology
• Timothy Robbins, “Leaves of Grass and ‘Social Control’: On Literary Approaches to Sociology”
• Günter Leypoldt, “Whitman and Nineteenth-Century Music Theory”
• Maria Aparecide de Oliveira, “Walt Whitman Across Cultures: Virginia Woolf on Whitman”
• M. H. van Spaandonk, “‘Open Doors of Time! Open Hospital Doors!’: War Trauma and Reconciliation in WaltWhitman’s Drum-Taps and Lan Cao’s Monkey Bridge”
3:30 – 4:00 p.m. Coffee Break
4:00 – 6:00 p.m. Session V: Rethinking Whitman’s Late Prose, Lectures, and Appearances in Documentaries
• BojanaAćamović, “Look for Him Under Your Bootsoles…or in his Prose”
• Anthony Cohen, “‘The Measureless Crudity of the States:’ Whitman’s Vision of American Literary and Imperial Production”
• Nicole Gray, “‘The Divine Power to Speak Words’: Performance, Genre, and Revision in Walt Whitman’s Lincoln Lectures”
• Kevin McMullen, “Who Watches This, Watches a Man: Walt Whitman in Educational Films”
- Institution: Professur für Amerikanistik
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