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Fakultät Geistes- und Kulturwissenschaften
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Institut für Anglistik und Amerikanistik
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Lehrstuhl für Englische Literaturwissenschaft
2009
"Die Erfahrung des Kindertransports in der englischen Literatur"
2007
"'London defies the imagination and breaks the heart' – The Metropolis and the Materiality of Urban Biographies."
"'You could not injure me': The Powers of Maugham's and Moore's Modern Magicians."
"The Eternal Triangle of Writer, Patron, and Fortune in Late Medieval Literature."
"Vorwort."
Dreißig Jahre Fakultät Sprach- und Literaturwissenschaften an der Otto-Friedrich-Universität Bamberg: 1977-2007
Einführung in die Anglistik und Amerikanistik
2006
"'What! What!' - The Soundness of George III and Mad Eighteenth-Century History"
"Locke's Education or Rousseau's Freedom: Alternative Socializations in Modern Societies"
"The 'Desire to See the Real Man behind the Author' – Looking for Autobiographical Elements in Vladimir Nabokov’s Fiction”
"Vampir und Voyeur: Zur selbstreflexiven Inszenierung der Angst- und Schaulust"
Anglistentag 2005 Bamberg: Proceedings
Preface
2005
"'A grey foreign country which called itself Germany' in the Novels of Hugo Hamilton, Nicholas Shakespeare and Others"
"Burned to Light: The Reception of F.W. Murnau's |Nosferatu| (1922) in E. Elias Merhige's |Shadow of the Vampire|"
"Das englische Drama und Theater unter puritanischer Diktatur und im französischen Exil (1642-1660),"
"Introduction."
"Introduction: Post-Wall Europe in the Literatures of the 'Anglosphere'"
"The Moon’s an Arrant Thief – Self-Reflexivity in Nabokov’s |Pale Fire|”
Literary Views on Post-Wall Europe. Essays in Honour of Uwe Böker.
Staging Displacement, Exile and Diaspora
2004
"Circulating Ideas of Democracy: The Legal Culture of the High Treason Trials of 1794"
"From Vision to Vainglory: Malory as a critic of idealism in the |Morte D'Arthur|"
"Painting and Writing in Michael Frayn's |Headlong|"
"Politically Correct Shakespeare"
"Progress, Immortality and Population: Eighteenth-Century Socio-Cultural Approaches to Ageing"
"Representations of the British Legal System in Twentieth-Century Popular Courtroom Drama"
Freedom - Treason - Revolution: Uncollected Sources of hte Political and Legal Culture of the London Treason Trials (1794)
Karen Gershon and the Collective Memory of the Kindertransport
Rez. von |Reception Study. From Literary Theory to Cultural Studies|
2003
"Alternative Locations of the Reform Movement: John Thelwall's 'Romantic' Genres and National Myths of 'Freedom's first prototype'"
"Der Holocaust, die Musik und nationale Identität(en) in Ronald Harwoods |Taking Sides| (1995)"
"Rediscovered Country - Tom Stoppard's Austrian Plays"
"The Holocaust in British Literature: From W.H. Auden's 'Refugee Blues' (1939) to David Edgar's |Albert Speer| (2000)"
Rez. von Michael Henry Scrivener. |Seditious Allegories: John Thelwall and Jacobin Writing|
Rezension von Brendan Barrington (Hg.). |The Wartime Broadcasts of Francis Stuart. 1942-1944 |
Rezension von Martin A. Doherty. |Nazi Wireless Propaganda. Lord Haw-Haw and British Public Opinion in the Second World War|
Rezension von Matthew Stibbe. |German Anglophobia and the Great War, 1914-1918. Cambridge: Cambridge University Press, 2001.|
2002
"'... the worst revolutions are those that are never called so': Deutungsperspektiven einer Kultur des Wandels"
"(Dis)continuities in Recent British Holocaust Drama"
"Family, Crime, and the Public Sphere: 'Incest' in Eighteenth-Century England"
"Games Wilde Plays: A Wilde Movie for the 1990s"
"Speaking Shakespeare's Verse on Stage"
"Stoppard's Wilde - Travesty and Invention"
Rezension von John Barrell. |Imagining the King's Death. Figurative Treason, Fantasies of Regicide, 1793-1796|
Rezension von Lawrence M. Clopper, |Drama, Play, and Game. English Festive Culture in the Medieval and Early Modern Period.|
2001
"'... not like bloody paper money': the Meaning of Excalibur in Anthony Burgess' |Any Old Iron|"
"Biotechnology and Media Technology in |Frankenstein|, |The Island of Dr. Moreau| and |Brave New World|"
Paintings of Transgression and Violence in Peter Greenaway's Text-Driven Cinema
Rezension von Dieter Paul Polloczek. |Literature and Legal Discourse: Equity and Ethics from Sterne to Conrad|
Rezension von Martine Hennard Dutheil de la Rochère. |Origin and Originality in Rushdie's Fiction|
Rezension von Peter John C. Field: |Malory: Texts and Sources|
Rezension von Rodney Castleden. |King Arthur. The Truth Behind the Legend|
Rezension von |The Novel in Anglo-German Context. Cultural Cross-Currents and Affinities.| Papers from the Conference held at the University of Leeds from 15 to 17 September 1997
2000
(4 Publikationen)
1999
"Chesterton and the Two Cultures"
"Race, Religion, and the Group Process: The Plays of David Edgar", in: Race and Religion in Contemporary Theatre and Drama in English
"Rosencrantz and Guildenstern Go to the Movies or: What Happens to Hamlet"
1998
Celia Fremlin, |The Long Shadow|
Charlotte Keatley,|My Mother Said I Never Should|
Edward Gordon Craig, |The Art of Theatre|
Joel Barlow, |The Columbiade|
Rezension von |The Cloud of Unknowing: An Introduction| by John P.H. Clark. Volume 1: Introduction; Volume 3: Notes on The Book of Privy Counselling.
Robert Bolt, |A Man for All Seasons|
Shakespeares Komödien aus der Sicht der Pragmatischen Kommunikationstheorie, Münster: LIT, 1998
Tom Stoppard, |Arcadia|
|Zerrissenheit|
1997
(3 Publikationen)
1996
(6 Publikationen)
1995
(1 Publikation)
1994
(1 Publikation)
1992
(1 Publikation)
1991
(4 Publikationen)
1990
(1 Publikation)
1988
(1 Publikation)
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