Vorlesungen suchen

1. Module Allocation:

all modules including an exam preparation (Examensübung/Übung für Examenskanditaten) or an obligatory/optional reading tutorial (Übung) in

LA GS/HS/MS/RS/GY

BA Anglistik/Amerikanistik

MA English and American Studies

MA Berufliche Bildung

Erweiterungsbereich English and American Studies

2. (De)Registration:

in FlexNow! (except for guest auditors): 09.08.2016-23.01.2017 (10:00-23:59)

guest auditors: please contact lecturer

Inhalt:

This course is designed specifically for students of all "Lehrämter" who prepare for the written "Staatsexamen" in English Literature according to the new LPO. However, students preparing other - oral or written - final exams or who are interested in detailed analyses of exam questions covering the whole of British literature from the Renaissance until today are very welcome, too.

Introduction to English and American Literature (A)

Dozent/in:

Susan Brähler

Angaben:

Seminar, 2 SWS, ECTS: 6, Studium Generale, Modulstudium, Frühstudium

Termine:

Mo, 14:15 - 15:45, U5/00.24

Voraussetzungen / Organisatorisches:

1. Module Allocation:

Basismodul (seminar: 2 or 6 ECTS) in

LA GS/HS/MS/RS/GY

BA Anglistik/Amerikanistik

BA Berufliche Bildung

BA Interdisziplinäre Mittelalterstudien/Medieval Studies

2. (De)Registration:

in FlexNow! (except for guest auditors): 10.10. – 23.01.2017

guest auditors: please contact lecturer

WICHTIG Es stehen vier Parallelkurse zur Verfügung. Die Termine A und B finden Sie in FlexNow! bei der Englischen Literaturwissenschaft, die Termine C und D bei der Amerikanistik. Bitte entscheiden Sie sich frühzeitig für EINEN Termin! Studierende, die sich gleichzeitig für mehrere Seminare "Introduction to English and American Literature" anmelden, werden nach Maßgabe der Kurskapazitäten einem Kurs zugeteilt.

3. Tutorials:

Das Seminar "Introduction to English and American Literature" wird durch folgende Tutorien ergänzt:

a) Begleitendes Tutorium zur "Introduction to English and American Literature A" (Hedwig Hardi) zur Vertiefung und Ergänzung der im Kurs besprochenen Themen; eine zusätzliche Anmeldung ist nicht notwendig.
b) Einem zweistündigen Bibliothekstutorium bestehend aus einer Vorlesung (45 Minuten) und einer Übung (90 Minuten); Anmeldung über den Virtuellen Campus der Universitätsibliothek.

Inhalt:

This course provides a concise introduction to major themes and methods in the study of English and American Literature. We will discuss key features of the main literary genres poetry, prose fiction and drama, explore selected approaches in literary theory and criticism as a basis for analyzing and interpreting literary texts, and survey the main periods and developments of English and American literary history.

Empfohlene Literatur:

Meyer, Michael. English and American Literatures. Tübingen: Francke, 2011. (4th edition!)

To Divert and Entertain, to Instruct and Improve: The Eighteenth-Century Novel

Dozent/in:

Susan Brähler

Angaben:

Proseminar/Übung, 2 SWS, ECTS: 6, Studium Generale, Erweiterungsbereich

Termine:

Do, 10:00 - 12:00, U9/01.11
Einzeltermin am 26.1.2017, 10:00 - 12:00, KR14/00.06

Voraussetzungen / Organisatorisches:

1. Module Allocation:

1.1 Seminar

BA Anglistik/Amerikanistik: Aufbaumodul Literaturwissenschaft / Ergänzungsmodul Englische Literaturwissenschaft / freie Erweiterung: Seminar 6 ECTS

BA Berufliche Bildung: Basis/Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS

LA GS/HS/MS/RS: Basis/Aufbaumodul Literaturwissenschaft (b): Seminar 6 ECTS

LA GY: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS

LA GY (Kombination mit Russisch): Wahlpflichtmodul Literaturwissenschaft: Seminar 6 ECTS

1.2 Reading Tutorial (Übung)

all modules including an obligatory/optional reading tutorial (Übung) in

LA GS/HS/MS/RS/GY

BA Anglistik/Amerikanistik

MA English and American Studies

Erweiterungsbereich English and American Studies

2. (De)Registration:

in FlexNow! (except for guest auditors): 09.08.2016-23.01.2017 (10:00-23:59)

guest auditors: please contact lecturer

Inhalt:

[T]o divert and entertain, and at the same time to instruct and improve the minds. This is what Samuel Richardson famously defines in the poetological Preface to his epistolary novel Pamela; or, Virtue Rewarded (1740) as one of the core objectives of the histories, lives and journals that we have come to identify as novels. Entertainment and instruction are core elements of 18th-century novel writing and will also be crucial to this seminar on the 18th-century novel: students will learn about 18th-century thought and (literary) culture and discuss some of the most entertaining novels of the English literary canon.

The 18th century is often considered as the moment at which modern literary culture begins and also sees the emergence of the novel as we have come to know it. We will thus set out to trace the origins of the novel and learn how the first novelists defined this new genre (novel vs. romance; truth and virtue; individualism and authenticity). After these preliminaries, we will gain a glimpse of the enormous diversity of 18th-century novel writing both with respect to different sub-genres and with respect to its development over the course of the century. We will not only focus on Daniel Defoe, Samuel Richardson and Henry Fielding, the authors most associated with the rise of the novel ever since Ian Watt s groundbreaking study of the same title (1957), but also consider novels by now canonized women writers such as Frances Burney and Eliza Haywood.

Students will study the Puritanism and Empiricism of Daniel Defoe s adventure novel Robinson Crusoe (1719), Samuel Richardson s psychological realism in Pamela (1740), Henry Fielding s parodies of the sentimental novel (Shamela 1741, Joseph Andrews 1742) and explore the possibilities of authorial narration in Tom Jones (1749). We will study Eliza Haywood s amatory novel Love in Excess (1719) and Frances Burney s novel of development Evelina (1778) for the ways in which they construct a female subjectivity. Jonathan Swift s satire Gulliver s Travels (1726), Laurence Sterne s experimental novel Tristram Shandy (1759-67), Oliver Goldsmith s sentimental novel The Vicar of Wakefield (1766) and Horace Walpole s Gothic novel The Castle of Otranto (1765) will complete our overview of 18th-century novel writing.

Hopefully, in the course of the semester, students will come to disagree with Samuel Johnson who decried [t]these books as being written chiefly to the young, the ignorant, and the idle with minds unfurnished with ideas (The Rambler, 31 March 1750) and will appreciate them as still being worthy of in-depth study.

Empfohlene Literatur:

Obligatory Reading:

Daniel Defoe, Robinson Crusoe (1719)
Eliza Haywood, Love in Excess (1719) [excerpts only]
Jonathan Swift, Gulliver s Travels (1726) [excerpts only]
Samuel Richardson, Pamela (1740) [excerpts only]
Henry Fielding, Shamela (1741), Joseph Andrews (1742), Tom Jones 1749) [excerpts only of all three novels]
Oliver Goldsmith, The Vicar of Wakefield (1766)
Frances Burney, Evelina (1778) [excerpts only]
Laurence Sterne, Tristram Shandy (1759-67), A Sentimental Journey (1768) [excerpts only]
Horace Walpole, The Castle of Otranto (1764)
Students need to buy copies of Robinson Crusoe, The Vicar of Wakefield and The Castle of Otranto.
Excerpts of all other novels listed above will be made available on the Virtual Campus. Please get in touch with your lecturer to get hold of the password.

Recommended Reading:
London, April. The Cambridge Introduction to the Eighteenth-Century Novel. Cambridge: Cambridge UP, 2012.
McKeon, Michael. The Origins of the English Novel: 1600-1740. Baltimore: Johns Hopkins UP, 1987.
Nixon, Cheryl L., ed. Novel Definitions: An Anthology of Commentary on the Novel 1688-1815. Peterborough: Broadview P, 2008.
Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. New York: Blackwell, 1986.
Watt, Ian P. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. 1957. 2nd. ed. Berkeley: U California P, 2001.



	UnivIS ist ein Produkt der Config eG, Buckenhof