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Gaststudierendenverzeichnis >> Fakultät Geistes- und Kulturwissenschaften >> Institut für Anglistik und Amerikanistik >>

  From Moby-Dick to the Green New Deal: A Literary and Cultural History of American Energy [Import]

Dozent/in
PD Dr. Georgiana Banita

Angaben
Vorlesung
Rein Präsenz
2 SWS
Gaststudierendenverzeichnis, Studium Generale, Gender und Diversität, Kultur und Bildung, Nachhaltigkeit
Zeit und Ort: Di 18:00 - 20:00, MG1/00.04; Einzeltermin am 8.2.2023 14:00 - 16:00, U9/01.11

Voraussetzungen / Organisatorisches
1. Module Allocation:

All modules including an obligatory or optional lecture (Vorlesung) for 2 or 4 ECTS in literary studies OR cultural studies:
  • BA Anglistik/Amerikanistik
  • Erweiterungsbereich English and American Studies
  • Lehramt GS/HS/MS/RS/GY
  • MA English and American Studies
  • MA Berufliche Bildung
  • MA WiPäd
  • Studium Generale (not BA Anglistik/Amerikanistik!)

>> NOT open for Consolidation Module!

2. Prerequisites for obtaining credit points:
  • active participation
  • only Studium Generale: written test on pass/fail basis (options: 2 ECTS=45 minutes; 4 ECTS= 90 minutes)
  • only Erasmus/exchange students: graded written test (options: 2 ECTS=45 minutes; 4 ECTS= 90 minutes)

3. FlexNow-Registration:
Please register for this class on FlexNow via the following section ( Lehrstuhl ): Professur für Amerikanistik. In case of problems contact flexnow.amerikanistik(at)uni-bamberg.de.

  • Course Participation (de)enrollment: September 01 November 01, 2022
  • ECTS/Exam (de)registration: January 01 February 01, 2023

Guest auditors: please contact lecturer via e-mail.

Information on how to solve problems with your registration: https://www.uni-bamberg.de/anglistik-amerikanistik/studium/flexnow-info/

Für Studienortwechsler, Erasmusstudenten sowie Studierende, die den Leistungsnachweis zur baldigen Prüfungsanmeldung benötigen, werden im begrenzten Umfang Plätze freigehalten. Bei Überbuchung der Lehrveranstaltung fällt die Entscheidung über die Teilnahme in Rücksprache mit der Dozentin.

Inhalt
The shift from coal, oil, and natural gas to solar and wind energy is one of the defining events of our time. But it is not the first energy transition. Replacing the elemental power harnessed through windmills and the biomass energy of wood and whale oil with fossil fuels marked the earliest energetic transformation of society, not least in heavily carbonized America. The lecture charts the history of U.S. literature and culture around energy regimes to uncover connections between resources and cultural forms and to shed light on the evolution of aesthetic genres from the mid-19th century to the present.

We begin with the Romantic Period (Melville, Emerson, Thoreau, Whitman) and the tensions it staged between the celebration of nature and excitement about subsoil resources, growth, and new technology like the railroad and the steam engine. The full scope of the social change engendered by the fossil fuel economy didn t come fully into view until the Age of Realism (William Dean Howells) and Naturalism (Frank Norris, Upton Sinclair, John Dos Passos, John Steinbeck) as the rise of Big Business (and Standard Oil) began to take a toll on the value of the land and the individual. To explore echoes of energy in Modernism and after, we will read poems by Carl Sandburg and Elizabeth Bishop, reinterpret The Great Gatsby through the prism of environment and resources, and read post-OPEC-crisis postmodern novels (John Updike s The Rabbit Trilogy, Cormac McCarthy s The Road) as fictions of exhaustion in an era of Peak Oil, petro-melancholia (Stephanie LeMenager) and macro- as well as micro-economic downsizing.

Much of U.S. oil literature is place-bound, so it makes sense to explore it through the works of regionalist authors, too. The selection includes fictions by Texas writers (William Goyen, Larry McMurtry, Winifred Sanford) and Tom Cooper s The Marauders, set in post-BP-oil-spill Louisiana. For insights into racial, indigenous, and gendered perspectives on petroleum economies, we discuss Linda Hogan s novel Mean Spirit about the murders on the oil-rich Osage Reservation in the 1910s 1930s and learn about the Tulsa Race Massacre of 1921 against the backdrop of the Oklahoma Oil Rush through Rilla Askew's novel Fire in Beulah, before concluding with the recent How Beautiful We Were (2021), a novel about the ravages wrought by a U.S. oil company in Africa, by Cameroonian-American writer Imbolo Mbue.

In the second part of the lecture, we survey classics of American cinema that screen the elation, drama, and downfall of what historian Lewis Mumford called carboniferous capitalism from Robert J. Flaherty s Louisiana Story (1948) and Douglas Sirk s melodrama Written on the Wind (1956) to George Stevens Western Giant (also 1956) and Paul Thomas Anderson s Neo-Western There Will Be Blood (2007). The final sessions are dedicated to iconic painters and photographers of American petro-landscapes, including Thomas Hart Benton (1889 1975), Ed Ruscha (1937 ), and Richard Misrach (1949 ). The closing session revolves around the politics and culture of decarbonization, more specifically the arts and letters of the post-carbon era, from wind power photography to science fiction of the post-oil age.

Englischsprachige Informationen:
Title:
From Moby-Dick to the Green New Deal: A Literary and Cultural History of American Energy

Credits: 2

Zusätzliche Informationen
Erwartete Teilnehmerzahl: 120

Institution: Professur für Amerikanistik

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