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Vorlesungsverzeichnis >> Fakultät Geistes- und Kulturwissenschaften >>

  Pop Avant-Garde from America and Britain to Italy / Avanguardia pop dall’America e Gran Bretagna all'Italia [Import]

Dozentinnen/Dozenten
Igor Almeida Ferreira Baldoino, M.A., Franko Burolo

Angaben
Seminar/Proseminar/Übung
2 SWS
Studium Generale, Gender und Diversität
Zeit und Ort: Mi 10:15 - 11:45, U5/02.18

Voraussetzungen / Organisatorisches
1. Module Allocation:

1.1 Seminar
BA Anglistik/Amerikanistik: Aufbaumodul Literaturwissenschaft / Aufbaumodul Kulturwissenschaft / freie Erweiterung: Seminar 6 ECTS
BA Berufliche Bildung: Basis/Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
LA GS/HS/MS/RS: Basis/Aufbaumodul Literaturwissenschaft (b): Seminar 6 ECTS
LA GY: Aufbaumodul Literaturwissenschaft / Aufbaumodul Kulturwissenschaft: Seminar 6 ECTS

1.2 Übung:
all modules including an obligatory/optional reading tutorial (Übung) for literature and culture (except Consolidation Module!) in
LA GS/HS/MS/RS/GY
BA Anglistik/Amerikanistik
MA English and American Studies
MA WiPäd
Erweiterungsbereich English and American Studies

Not open for Consolidation Module!

2. (De)Registration:
in FlexNow! (except for guest auditors): 04.03.2020, 10:00 - 25.04.2020, 23:59 (NEW)
guest auditors: please contact lecturer

Inhalt
In 1976, the British public was struck by two singular verses: “I am an antichrist! / I am an anarchist!”, screamed by a cynical jeering voice of a certain Johnny Rotten, who fronted a group shamelessly called Sex Pistols. The shock provoked both indignation and admiration that soon had an international impact and kick started a new generation of young artists inspired by it under the common denominator of “punk”.

This “punk” denominator was very soon split up into various others: new wave, industrial, goth etc., and its impact seems to resonate throughout pop culture and beyond, even today. Because of its defiant attitude, destructive, yet playful creativity, and fast developing related and post-tendencies around the world, it was soon suggested that punk resembles futurism, dada, situationism or other avant-garde movements and tendencies.

With focus on English- and Italian-speaking cultural areas, this course will provide food for thought and discussions about avant-garde aesthetics, gender, and how they manifest, if they do, in punk and related tendencies in pop culture. While it is a widespread viewpoint that punk is just about the music, the course aims at the portrayal of its literary value, through its lyrics, poetry and later developed fiction with examples from Cyberpunk, Steampunk and Feminist Punk. The possible ethical and political meanings of such expression will also be presented and discussed, since political engagement is one of the central aspects of both the avant-garde and punk.

Students of Italian language and literature will also have separate sessions for analysis of Italian texts in its original language.

Empfohlene Literatur
Mandatory reading:
Fiction:
Acker, Kathy. Blood and Guts in High School. 1984. Gibson, William. Neuromancer. 1984. Sterling, Bruce. The Difference Machine. 1990.

Albums and Lyrics:
Alternative TV. “Action Time Vision”. The Image has Cracked, Surrey Sound Studios, 1978. The Clash. The Clash, CBS Studios in London, 1977.
Sex Pistols. “Anarchy in the UK”. Never Mind the Bollocks, Here's the Sex Pistols, Wessex Sound Studios, 1977.
Sex Pistols. “God Save the Queen”. Never Mind the Bollocks, Here's the Sex Pistols, Wessex Sound Studios, 1977.
Sex Pistols. “Holidays in the Sun”. Never Mind the Bollocks, Here's the Sex Pistols, Wessex Sound Studios, 1977.
Sex Pistols. “Pretty Vacant”. Never Mind the Bollocks, Here's the Sex Pistols, Wessex Sound Studios, 1977.
The Slits. Cut, Ridge Farm Studio, 1979.
Wire. Pink Flag, Advision Studios, 1977.

More material WILL be added during the semester

Englischsprachige Informationen:
Credits: 6

Zusätzliche Informationen
Erwartete Teilnehmerzahl: 15

Institution: Lehrstuhl für Englische Literaturwissenschaft

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