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Vorlesungsverzeichnis >> Fakultät Geistes- und Kulturwissenschaften >>
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Narrating Space- Dozent/in
- Dr. Susan Brähler
- Angaben
- Seminar/Proseminar/Übung
Rein Präsenz
2 SWS
Erweiterungsbereich
Zeit und Ort: Do 14:00 - 16:00, U9/01.11; Einzeltermin am 24.6.2022 10:00 - 12:00, U9/01.11
- Voraussetzungen / Organisatorisches
- 1. Module Allocation:
1.1 Seminar
BA Anglistik/Amerikanistik: Aufbaumodul Literaturwissenschaft/ freie Erweiterung: Seminar 6 ECTS und Ergänzungsmodul Literaturwissenschaft: Seminar max. 6 ECTS
LA Gym: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
BA Berufliche Bildung: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
LA GS/HS/MS/RS: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
1.2 Übung
All modules including an obligatory/optional reading tutorial (Übung) for literature in
LA GS/HS/MS/RS/GY
BA Anglistik/Amerikanistik
MA English and American Studies
MA WiPäd
Erweiterungsbereich English and American Studies
NOT open for Consolidation Module Literature
Open for Ergänzungsmodul Literature
2. (De)Registration:
in FlexNow! (except for guest auditors): 01.03.2022, 10:00 07.05.2022, 23:59
guest auditors: please contact lecturer
- Inhalt
- Why should you select a seminar on space in narrative texts when the rise of social media, of transitory, ahistorical places like Starbucks cafés and airports, of globalization and the time-space-compression brought about by modern travel and the internet all point into one direction: the end of space?
Proponents of the so-called Spatial Turn have, since the mid-1980s, insisted on the relevance of space as a theoretical category beyond (postmodern) geography, in the humanities and the social sciences. Instead of giving in to the disappearance of space, they have called for its re-definition: Space is a social construction relevant to [ ] the production of cultural phenomena (Warf/Arias 2009, 1). Spaces are performative, processual and multi-dimensional structures. They are political and ideological: producers of space decide who may belong and not belong; spaces reflect conceptions of self and other.
Up until the Spatial Turn, space had traditionally been a neglected category in narrative theory. Narratologists conceived of it as a mere backdrop to plot, prioritising time over space . If narrative is defined as a sequence of events, where events are changes of states which are brought about or endured by individual existents, then it is indispensable to note, however, that these existents have bodies that both occupy space and are situated in space (Ryan/Foote/Azaryahu 2016, 16). Cognitive narratology grants space an essential part [in] the mental act of narrative world (re)construction, since the imagination can only picture objects that present spatial extension (ibid.) Since the expansion of structuralist narratology into an array of postclassical and especially contextualist narratologies, scholarly interest in the narrativisation of space has been unbroken and has profited from the spatial concepts of, for example, Postcolonial, Refugee, Tourism and Gender Studies.
This seminar offers a survey of narratological approaches to the analysis of narrative space spanning from the work of Jurij Lotman to Marie-Laure Ryan. Students will be introduced to the spatial theories of Michel Foucault, Henry Lefebvre, Edward Soja as well as those developed within Gender, Postcolonial and Tourism Studies. The primary texts we will cover in class span a variety of genres, themes and narrative/narrated spaces: We will be interested in Charles Dickens s as well as post-7/7 London, the Yorkshire moors, the Africa of Mary Kingsley and Henry Morton Stanley, in borders and border-crossings, in houses which spread a feeling of at-homeness and labyrinthine Gothic houses preventing in its inhabitants any such feelings. We will travel to Cold-War Berlin and to the Caribbean, investigate the unnatural, i. e. physically impossible, spaces of postmodern and postcolonial writing and follow refugees through magic doors around the globe.
- Empfohlene Literatur
- Mandatory reading:
Students need to read the following texts:
E. M. Forster, Howards End (1910)
Gabriel Josipovici, Second Person Looking Out (1977), Mobius the Stripper (1974; short stories will be made available on VC)
Ian McEwan, The Innocent (1990)
Helen Oyeyemi, White Is for Witching (2009)
Mohsin Hamid, Exit West (2017)
Excerpts from the following texts will be made available on the Virtual Campus:
Charles Dickens, Oliver Twist (1837-9)
Emily Brontë, Wuthering Heights (1847)
Henry Morton Stanley, Through the Dark Continent (1878)
Mary Kingsley, Travels in West Africa (1897)
D. H. Lawrence, Lady Chatterley s Lover (1928)
Jamaica Kincaid, A Small Place (1988)
J. K. Rowling, Harry Potter and the Philosopher s Stone (1997)
John Lanchester, Capital (2012)
Ali Smith, Autumn (2016)
- Englischsprachige Informationen:
- Title:
- Space
- Credits: 6
- Prerequisites
- 1. Module Allocation:
1.1 Seminar
BA Anglistik/Amerikanistik: Aufbaumodul Literaturwissenschaft/ freie Erweiterung: Seminar 6 ECTS und Ergänzungsmodul Literaturwissenschaft: Seminar max. 6 ECTS
LA Gym: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
BA Berufliche Bildung: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
LA GS/HS/MS/RS: Aufbaumodul Literaturwissenschaft: Seminar 6 ECTS
1.2 Übung
All modules including an obligatory/optional reading tutorial (Übung) for literature in
LA GS/HS/MS/RS/GY
BA Anglistik/Amerikanistik
MA English and American Studies
MA WiPäd
Erweiterungsbereich English and American Studies
NOT open for Consolidation Module Literature
Open for Ergänzungsmodul Literature
2. (De)Registration:
in FlexNow! (except for guest auditors): 01.03.2022, 10:00 07.05.2022, 23:59
guest auditors: please contact lecturer
- Contents
- Why should you select a seminar on space in narrative texts when the rise of social media, of transitory, ahistorical places like Starbucks cafés and airports, of globalization and the time-space-compression brought about by modern travel and the internet all point into one direction: the end of space?
Proponents of the so-called Spatial Turn have, since the mid-1980s, insisted on the relevance of space as a theoretical category beyond (postmodern) geography, in the humanities and the social sciences. Instead of giving in to the disappearance of space, they have called for its re-definition: Space is a social construction relevant to [ ] the production of cultural phenomena (Warf/Arias 2009, 1). Spaces are performative, processual and multi-dimensional structures. They are political and ideological: producers of space decide who may belong and not belong; spaces reflect conceptions of self and other.
Up until the Spatial Turn, space had traditionally been a neglected category in narrative theory. Narratologists conceived of it as a mere backdrop to plot, prioritising time over space . If narrative is defined as a sequence of events, where events are changes of states which are brought about or endured by individual existents, then it is indispensable to note, however, that these existents have bodies that both occupy space and are situated in space (Ryan/Foote/Azaryahu 2016, 16). Cognitive narratology grants space an essential part [in] the mental act of narrative world (re)construction, since the imagination can only picture objects that present spatial extension (ibid.) Since the expansion of structuralist narratology into an array of postclassical and especially contextualist narratologies, scholarly interest in the narrativisation of space has been unbroken and has profited from the spatial concepts of, for example, Postcolonial, Refugee, Tourism and Gender Studies.
This seminar offers a survey of narratological approaches to the analysis of narrative space spanning from the work of Jurij Lotman to Marie-Laure Ryan. Students will be introduced to the spatial theories of Michel Foucault, Henry Lefebvre, Edward Soja as well as those developed within Gender, Postcolonial and Tourism Studies. The primary texts we will cover in class span a variety of genres, themes and narrative/narrated spaces: We will be interested in Charles Dickens s as well as post-7/7 London, the Yorkshire moors, the Africa of Mary Kingsley and Henry Morton Stanley, in borders and border-crossings, in houses which spread a feeling of at-homeness and labyrinthine Gothic houses preventing in its inhabitants any such feelings. We will travel to Cold-War Berlin and to the Caribbean, investigate the unnatural, i. e. physically impossible, spaces of postmodern and postcolonial writing and follow refugees through magic doors around the globe.
- Literature
- Mandatory reading:
Students need to read the following texts:
E. M. Forster, Howards End (1910)
Gabriel Josipovici, Second Person Looking Out (1977), Mobius the Stripper (1974; short stories will be made available on VC)
Ian McEwan, The Innocent (1990)
Helen Oyeyemi, White Is for Witching (2009)
Mohsin Hamid, Exit West (2017)
Excerpts from the following texts will be made available on the Virtual Campus:
Charles Dickens, Oliver Twist (1837-9)
Emily Brontë, Wuthering Heights (1847)
Henry Morton Stanley, Through the Dark Continent (1878)
Mary Kingsley, Travels in West Africa (1897)
D. H. Lawrence, Lady Chatterley s Lover (1928)
Jamaica Kincaid, A Small Place (1988)
J. K. Rowling, Harry Potter and the Philosopher s Stone (1997)
John Lanchester, Capital (2012)
Ali Smith, Autumn (2016)
- Zusätzliche Informationen
- Erwartete Teilnehmerzahl: 15
- Institution: Lehrstuhl für Englische Literaturwissenschaft
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