Publikationen

• Albrecht, S. ; Carbon, Claus-Christian:
  Affect and self-efficacy infuse the experience of ambivalent photographs. .
  In: Psihologija 50 (2017), Nr. 3, S. 307-317

• Raab, Marius ; Carbon, Claus-Christian:
  Expecting the unexpected: How gallery-visitors experience Semantic Instability in art. .
  In: Art & Perception 5 (2017), Nr. 2, S. 1-22

• Hesslinger, Vera ; Carbon, Claus-Christian:
  Variants of Semantic Instability (SeIns) in the arts. A classification study based on experiential reports. .
  In: Psychology of Aesthetics, Creativity, and the Arts. (2017),

• Carbon, Claus-Christian:
  SeIns: Semantic Instability in Art. .
  In: Art & Perception 4 (2016), Nr. ., S. 145-184

• Raab, Marius ; Carbon, Claus-Christian:
  Semantic stability is more pleasurable in unstable episodic contexts. On the relevance of perceptual challenge in art appreciation. .
  In: Frontiers in Human Neuroscience 10 (2016), Nr. 43,

• Hesslinger, Vera ; Carbon, Claus-Christian:
  The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity and the Opportunity for Insight Affect Appreciation. .
  In: The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity and the Opportunity for Insight Affect Appreciation. (2015), Nr. 9(3), S. 206-216

• Raab, Marius ; Carbon, Claus-Christian:
  The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP). .
  In: Frontiers in Psychology (2015), Nr. 6, S. 365

• Carbon, Claus-Christian ; ; Pepperell, R:
  Give me Gestalt! Preference for Cubist artworks depicting highly detectable objects .
  In: Leonardo in Press (2013), Nr. /,

• Carbon, Claus-Christian:
  The Aesthetic Aha. About the pleasure of having insights into Gestalt .
  In: Acta Psychologica 144 (2013), Nr. 1, S. 25-30