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Einrichtungen >> Fakultät Geistes- und Kulturwissenschaften >> Institut für Klassische Philologie und Philosophie >> Lehrstuhl für Philosophie II >>
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Summer School 2025 - Aesthetics from the 19th and 20th century- Dozentinnen/Dozenten
- Prof. Dr. Vittorio Hösle, Prof. Dr. Christian Illies
- Angaben
- Hauptseminar
Rein Präsenz
Unterrichtssprache Englisch
Zeit und Ort: Blockveranstaltung 4.7.2025-5.7.2025 Fr, Sa, Blockveranstaltung 11.7.2025-12.7.2025 Fr, Sa, Blockveranstaltung 18.7.2025-19.7.2025 Fr, Sa 10:00 - 18:00, LU19/00.09; Bemerkung zu Zeit und Ort: Mittagspause immer von 13:00 – 15:00
- Voraussetzungen / Organisatorisches
- Philosophie BA
Basismodul 3: Theoretische Philosophie,
Basismodul 4: Philosophische Anthropologie,
Aufbaumodul 2: Theoretische Philosophie ,
Vertiefungsmodul 2: Vertiefung in theoretischer Philosophie,
Vertiefungsmodul 3: Vertiefung in philosophischer Anthropologie
Philosophie MA
Kernmodul 2: Theoretische Philosophie
Freie Spezialisierung I und II
Philosophie LA (vor SoSe23)
Basismodul 3: Theoretische Philosophie
Basismodul 4: Philosophische Anthropologie
Vertiefungsmodul LA 4
- Inhalt
- The course focuses on three post-idealistic aesthetic theories of the 19th and 20th centuries, from Austria, Italy, and Poland, which deal both with the concept of the beautiful and the subdivision of the arts. The three theories are deeply linked with the general philosophical background of the authors, so we will try to connect their major aesthetic ideas to their metaphysical and epistemological foundations, such as historicism in Croce's or Husserl's phenomenology in Ingarden's case. We will also discuss the historical evolution of the arts in this time, such as the rise of film as a new art, whose treatment by Ingarden remains probably the best text on the ontology of film ever written.
The seminar will be taught in English.
If you're interested, please reach out to Louisa Hagedorn at louisa.hagedorn@uni-bamberg.de. Spots are limited!
The works, which you will need to acquire on your own and which should be read in advance of the seminar (or during the seminar itself but in advance of the discussions of the respective works), include Bernard Bolzano, “On the Concept of the Beautiful” and “On the Classification of the Fine Arts,” both available in his Essays on Beauty and the Arts; Benedetto Croce, Aesthetic: As Science of Expression and General Linguistic; and Roman Ingarden, Ontology of the Work of Art.
- Empfohlene Literatur
- Reading list and Schedule:
July 4, 10-13: Introduction to the course
July 4, 15-18: B. Bolzano, On the Concept of the Beautiful
July 5, 10-13: B. Bolzano, On the Classification of the Fine Arts
July 5, 15-18: B. Croce, The Aesthetic as the Science of Expression, Part I, I-IX
July 11, 10-13: B. Croce, Part I, Ch. X-XVIII
July 11, 15-18: B. Croce, Part II, Ch. I-VII
July 12, 10-13: B. Croce, Part II, Ch. VIII-XIII
July 12, 15-18: B. Croce, Part II, Ch. XIV-XIX
July 18, 10-13: R. Ingarden, Ontology of the Work of Art, The Musical Work
July 18, 15-18: R. Ingarden, The Picture
July 19, 10-13: R. Ingarden, The Architectural Work
July 19, 15-18: R. Ingarden, The Film
- Englischsprachige Informationen:
- Title:
- Summerschool 2025 - Aesthetics from the 19th and 20th century
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